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My favorite Scenographie price for Design Tour 2012 Lyon

For the first edition of Design Tour 2012, the Tour de France starting with Lyon, I had a mission to visit all participating locations to select my phone Scenographie Heart (Layouts of a space, a place for a facility that tell a story) On the theme DARE.

Some very interesting demarches, original ideas such as the School of Conde students presenting us their work on paper or installing Lesur Adrien-vernhes at Daniel Grange or staging wooden glasses on the side of In the views or lightness of Jean-Marie Massaud revisiting his own creations at RBC

There was a matter to take full eyes, but my choice is for the installation of Lisa Lejeune and Amaury Poudray the Village of creators. Simplicity, interactivity, poetry, original idea answering perfectly theme Dare.

An invitation to wander through the sheets of crumpled paper to approach their creations arranged in the center of the room, such as works of art identified by their own sketches, drawings, research, doodles crumpled forgotten but indispensable

Thank you to all managers and partners for this perfect organization, 14September agency (Nicolas Lanter) through Orange (Orange Olivier Faure Director Central East) not to mention Paul, the best drivers without whom visit near 30 places after an evening would not have been possible!

Period to Lyon: 14 to 17 November 2012

More information about this event: DesignTour

By Blog Esprit Design

Category: design


Comments: 18

  1.  
    Gaynell Baggs 

    Paul he still his license?

     

  2.  
    Ash Strode 

    This is a pilot…

     

  3.  
    Gemma04 

    DESIGNER-AUTHOR OF OR merchandiser «MY WORK»?
    An approach that makes me think the major designers like the Bouroullec. displaying their drawings as so many abandoned impasses that will also take other designers greater design school of minors as Arnaud Lapierre. One way, too, I like less to justify the «work» by hard work, by the countless drawings.
    Another major designer Starck. He said «There in my trash enough to power more creation studio» At his age, «It is I who has done» it published its layers. This is how I learned the 3D drawing design, desire.
    The idea of ​​identifying «his work» of crumpled paper, sketches, drawings, research, doodles is pretty AMAZING after there remains the very EXECUTION that difficult that can be a MASSACRE.
    I would not offend Amoury Poudray but it is not yet Tokujin Yoshioka. but it is just level Etalagiste Constance Guisset for a department store designers days when I did not understand that his goal was not the object of design in it but even small papers in the clipboard and that its core business is the scenography.
    One day Arman who could not to pierce, to hatch in the ART filled a gallery of the contents of bins IT WAS FAMOUS. I find Amaury OSE does not have enough, but it is not ART (ISTE), but PLASTICIEN DESIGN (ER), is a. brake Vary the cursor between ART and DESIGN is the hardest.
    J’DOOORE JOURNAL OF WINDOWS.

     

  4.  
    ginawalk2 

    CREASE AGREEMENTS.
    The day or designer will make a presentation press by forcing a walk every wrinkle paper encartes journalists or editors pisses copies. I’d shoot him my hat especially if he puts in the middle this basket.
    or it. the Brazilian designer Rafael Morgan.
    but redraws, recontextualizes by English designer Jake Phipps.

     

  5.  
    Bette Caplin 

    The DESIGNER transform MAGICIAN — t -it crumples the paper, the project refused by editors and criticism by Professor Z White Rabbit?

     

  6.  
    Ladyinwaiting19 

    THE «DESIGNERS» DO NOT KNOW TRIMMING AN IDEA, DO NOT KNOW THEM EVEN If FRAME AND THEM.
    I explained at length in Rafael Morgan of Brazil need decliner his lamp in trash that would be a best seller, a long seller He did not understand neither strategy rabbit, little bird in the back of Crasset (a la Guisset) nor the strategy of the hat (melon and leather boot) or the strategy of the so british top hat has Jake Phipps Jake Phipps client for among other Philippe Starck Network .and boutiques around the world.

     

  7.  
    Freddy Farley 

    PAPER ALWAYS PAPER.
    There is sometimes a barrier papers, a no man’s land between the work and the public Often there are many errors, approximations in the papers that I correct the fly. French of mistakes, I tappe, date faults, name, etc. I award highlights making a Agaam any article or press release This is often the same thing.
    I do not know who this paper .who from a press release from the Galerie Jousse business but it is more than brilliant, illuminating To crop Poudray and do me the favor of ease of cinema critic, I would say that it is often in the COSMETICS in SURFACE. With very little to be added or removed, it could be a BARON design and make us ADDICT.
    «It is precisely in this interstitial space in which the design and dialogue with art or modalities of presentation and production oscillate between a merchant and institutional framework Florence Doleac scored his work. Claim this unusual position gives it a particular identity. Indeed, not only Florence Doleac involves a tension between the production and exhibition, with humorous responses and poetry, but it deploys more questioning about the function and its counterpart: the uselessness. His proposals are played on the established codes to disrupt our perceptions patterns; it intercepts our actions by pointing their limits. The incongruity of conditions caused situations brings us to our imagination, reducing excessively restrained reality. »

     

  8.  
    Romana Harrison 

    And to finish my paper crappy, beginning a day of Mr. (See Nicolas Bedos) When we are at the end of. roll paper. This is where the (re) establishment begins.

     

  9.  
    sweety101 

    IF …
    Zigert Artem, designer of Kazakhstan was the best stage designer that Amaury Poudray, Lyon Designer If the idea of ​​the paper pleases me more than his execution, his cabin in Lyon will hardly pleases me.

    Archetype of contemporary art Black Metal Cube.
    Archetype of the black metal home.

     

  10.  
    JWhit13 

    SORRY, BUT I ALREADY crumpled OF STARS DESIGN THAT I ADMIRE THE PROF COURSE AND SOME CREATIONS.

     

  11.  
    saraez1 

    THERE WAS A MATTER BETTER THAN BOUROULLEC.
    AND GUISSET.

     

  12.  
    SamiJaye 

    For Guisset I felt toilet paper around the Italian design See the photo above actually it’s more creative.
    «Tell me ten showcases a scenography Constance Guisset under 10 years of Designer’s Days Lafayette House. The designer has chosen to scene 10 objects of their choice which marks the last 10 years. In these facilities, the paper serves decor and character at a time. It highlights some formal details, suggested scenarios or disappears behind the silhouettes. «Journal of. windows.

     

  13.  
    Mitzie Grant 

    I do not think the «stopping power» of all windows strong enough even though it was the largest of its proposed product.

     

  14.  
    Colt Derham 

    The consistency of the readability of a project is important.

     

  15.  
    Beautiful1987 

    MUST NOT OVER TO PUSH THE PASS IN THE STATUS OF OBJECT: COMMISSIONER OF WINDOWS.
    THERE IS ALWAYS A DIFFERENCE BETWEEN THE INTENTIONS AND ENFORCEMENT BETWEEN PERFORMANCE AND COLLECTION OF CRITICAL THAT YOU MASSACRE. Sad:
    MADAM COMMISSIONER.
    «Tell me ten windows» — Scenographie police and the Galeries Lafayette Maison showcases the occasion of Designers’ days, Paris June 2010.

     

  16.  
    sickofstones 

    I did not understand the strategy of Bouroullec, nor that of Guisset, post formed by the Bouroullec and training of school ESSEC design / on business school ENSCI (or the opposite: lol :) I must not understand that of Poudray.

     

  17.  
    Briar Giddings 

    EDITOR JOURNALIST VS VS BLOGGER.
    When I read in books mode the text of a REDACTRICE Galleries, I think there are progress by mediators to do design … in PAPER and that would deserve to be wrinkle … «Contemporary creatrice offer a very contemporary scenography created with a selection of design objects and strokes heart?. » …
    Guisset trash co design.

     

  18.  
    carps528 

    In time marketer -Designer — consommacteur, my «job» is to do selective sorting projects and products in a trade that would define design according to Commissioner Moma, which would be at the top of influence, by what he is not It takes a big blow Boole to understand.

     

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