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Majenius Design Contest, I’ll be jury

Majenius Design Contest, I'll be jury

Majencia has launched, in partnership with theEcole Boulle, a combination of innovative and forward-looking design of workspaces of tomorrow, the trophy is » Majenius design «.

The principle:

» Develop a concept for furniture rethink workspaces an open shelf 40 workstations. Participants are invited to consider the uses and functionalities through the prism of individual and collective relationships within the company, define the axes of well-being at work imagining furniture, configurations, traffic, connections and valuation space.»

Majenius Design Contest, I'll be jury
Majenius Design Contest, I'll be jury
Majenius Design Contest, I'll be jury

Participants:

» The competition is open to students in Product Design and Furniture section as part of their program of study for the Diploma Superieur des Arts Appliques issued by the Boulle school. The students are divided into 5 teams of 3 or 4 students.»

Majenius Design Contest, I'll be jury
Majenius Design Contest, I'll be jury
Majenius Design Contest, I'll be jury

5 draft guidance for five teams of students:

  • Food, Mobility and Collaboration
  • Dematerialization, Frontiere and Modularity
  • Nearby, Mobility and Nature
  • Mobility, and Relational Technology
  • Modularity, Mobility and RSS

Majenius Design Contest, I'll be jury

To the side ofOlivia Putman (Presidente of the Jury, Designer) Mathieu Lehanneur (designer) Gerard Width (Director of the VIA) Alain D’Iribarne (CNRS researcher) Marc Dutoit (Designer) Sophie Mentthon (Presidente movement ETHIC) I will therefore take place in order to judge these proposals ( See the full list)

Dates: 17 October 2012 to 28 March 2013

// Thanks to open this kind of competition has Heteroclite profiles, researcher, architect, designer and blogger so to form a panel of true judgment.

More information about the competition Majenius Design

Site of the School: Ecole Boulle

Brand website: Majencia

By Blog Esprit Design

Category: design


Comments: 45

  1.  
    Carin Boundy 

    Small pressure.
    I hope you can attend presentations and deliberations.

     

  2.  
    Lisa Huben 

    Most board members are linked to Vincent Gruau, CEO of Majencia and / or his company I’d be curious to know the reason for your selection in the jury. Blog design mind does not position themselves specially in the office furniture. There are in general in the French jury one or two influential journalists. The web blog would he place of the clipboard?

     

  3.  
    Allan Cheadle 

    They wish to develop a diverse jury to make an overall judgment, each with its own specialty, its there, its experience, its domain.

     

  4.  
    Olly Eslick 

    I would not diverse. This is contrary to the very well think in an entrepreneurial perspective by Vincent Gruau marketing com or right arm, most designers working with Majenius. I read through this casting choice of design in France and made in France and some name dropping become one of the key design management. has Italian.
    I was surprised when even the presence of Mathieu Lehanneur on the design of a seat, which announced him here and in a posture or an anti-Starck positioning but not anti STAR uselessness to a new seat. As is the hardest type. It’s a nice strategy to bypass the difficulty that makes me think that of Matali Crasset non furniture; I was surprised by his announcement of 40 Concurrent treated by his office projects, that is to say half of Ubik In aparte, unattached release, we can know so much.

     

  5.  
    Shiela Rayer 

    And no Parisian cocotterie (random neologisms) before and during the deliberations …
    I read with great interest the interview in a Olivia P. Cote House cites reference in french Wiki (although it is an article of Paris Match crying unhappy childhood in the English Wiki) I would describe her approach to gender classy decorative design. «Men are more sensitive and are interested more in art and the beauty of things. «» Men take more time to admire. «» Women prefer practicality, which removes some poetry. The men have a certain detachment. Their design deco is more lightly. So they round up wonderfully. »
    «There’s a great social movement. «Damn !!!! «The deco is democratized.» «People receive more than before and spend more time at home. «» The cocooning and hiving are the perfect examples. » «No need to spend astronomical sums for a deco with style. «? And to finish a sentence that will appeal to Vincent Degourc «The lag is tasteful. »

     

  6.  
    Eliz Tilden 

    THE DESIGN OF CRITICISM IN FRANCE.
    Patrick Jouin wrote ds RDD that I mind sometimes goes awry This is true only in part because I show the back of the decor, the back of the persona of genius designers. Vision 360 ° with capabilities to dive and search the web and in the invisible world, the well guards secrets. Victoria Willmotte, who had not found his teacher RCA design school, Richard Hutten worthy of her, to get dons a «under the direction of Ron Arad» repeated in press relations of PR replica me, «Who are you to criticize me you «Then let’s go Criticizing the top of my «status» . commentator because as the journalist writes Professor Commissioner Catherine Geel: «The design critic does not exist in France»
    A Putman office !!!! It’s not even practical for playing ladies.
    A Lehanneur office This is a lesson for recycling. How to recycle thanks to the notoriety old Marseilles project from 2005 aluminum refuses a design center and falls into dust, for plywood has a micro Belgian editor.
    . Draw probably by Pierre Favresse or other right arm? It should read between the lines of the book of remarkable exhibition of the Museum of Decorative Arts in the drawing and design.
    «I am wary of the hand and its formal recipes, its reflexes. I hardly draws, is the mental stage that matters, I have the concept of the object, «the thing» in mind. I’m just doing some sketches to communicate to my assistants, who pass immediately in 3D. [….] Before, we chose a curve on the parrot, now we denote images, items that are appropriated for details. All forms exist, there is not a redraw but the designer and appropriate them to shape the concept imagine. Andrea, I had in mind the idea of ​​a plant that is like the brain of the system, a grid, which in the collective unconscious evokes the flow of air, «a diffuser Ventoline®» …. «Mathieu Lehanneur.
    This is curious in its new site, there are whole strata of his «work» that are happening in the hatch I loved all these scenarios storytelling.

     

  7.  
    Mark Blann 

    Disclaim, disclaim, we repeat, we repeat a formal or conceptual vocabulary, designer of the territory (to make architext) for one of the checkerboard, the geological layers to each other Not so simple.
    style furniture seen by mathias-kiss.

     

  8.  
    Emireilly13 

    Between us I like «course antiStarck» in appearance Lehanneur is essentially prototypes subsidized by VIA and an American researcher sponsor co-designer of Bel Air renames the first name of the son of Mathieu. This Mathieu office pleases me because I work with batteries but displease my wife menage.
    As I am a marketer, I imagine very well a co-branding Lehanneur Putman or after two months of negotiations Putman Lehanneur.

     

  9.  
    Latosha Roylance 

    I AM OPEN SPACE FOR PLANETARY.

     

  10.  
    Alex Tousey 

    BALL A Boole.
    As the saying «my» teacher Belgian design Olivier C, there as a formal analogy between all this.
    As the saying «my» teacher Philo, Cynthia Fleury: the creation always starts from the known.
    As my design innovation Prof. Armand Hatchuel |: when the sum is greater than a known amount unknown, you have more chance to be known to the greatest number.
    As the teacher Z Nicolas Minvielle if you are experienced you have more chance to be better known as a stranger who wants to be known.

     

  11.  
    ibefu 

    DESIGN It’s not complicated OF OFFICE SPACE, I WILL EXPLAIN.
    according to the formula or mathematical graph of Armand Hatchuel.

     

  12.  
    Gregor Dunkley 

    OFFICE OF LANDSCAPE NOT SO FAR PUTMAN HOFFMANN. THUN PROBLEM WITHOUT.
    My office is OPEN SPACE landscape, PR mill (water) in addition between Milan and Barcelona, ​​a landscape of olive groves and vineyards before a Korean computer red sign with an American label paper tiger.
    My office is a black console table in solid wood which I have forgotten «e the name of the designer with around Nesting Tables Josef Hoffmann designed at the turn of the last century. (~ 1900) and manufactured by Wittmann. I have Ikea Lack side tables was € 4.95 which type paperboard structure inserted bee nest in a wooden frame. I customize, I hakerise. I put wheels to the Russian Gae Aulenti and Gold plated machine gun or a fly swatter Starck.
    (Just kidding !!!!). I have a convenient Matteo Thun furniture genre Bieffeplast plan to put socks and underpants drawings.

     

  13.  
    sarahbara83 

    I have no objects of the members of the jury designers .and yet I was close to the small furniture shop Mr. Willmotte and the huge apartment of Madame Putman. At the time, I did not even know they were designer. To quote Stephane Vial, a philosopher boulliste teacher, «I was not only to design» .
    I drink my coffee in my relaxation space in a cup of Anish Kapoor as artists and fashionistas are the two competing design branding.

     

  14.  
    Ocie Kett 

    I think we should remember the lesson of Andree Putma even in product design or luxury space.
    «Design is damaged When an object is done Merely to impress,» Putman.

     

  15.  
    Dud Becher 

    THE DESIGN IS NOT THE CAKE CREAM.
    The vision of the great lady of Andree Putman deco design precludes -t -it was that of «small» philosopher Stephane Vial, teacher at school Boulle, which is presented as a philosopher, psychoanalyst (an ideal target for Michel Onfray ) «scientist of design». It summarizes the design has a cosmetic effect, a re-enchantment of everyday life in the form… This intellectual valid by Patrick Jouin (short preface deals) and the Boulle school, should probably mention the daily press He forgets the other media supports (we should say media support for many), magazines and the web that use the design and designers as «subjects of indignation» in «superdicielle the economy of attention» The one is with a great German philosopher Sloterdijk and great french philosopher Bernard Stiegler.
    The subject offers is terribly difficult I struggle to understand the above entitled seeing zoning proposes transition, secret, silent.
    «Develop a CONCEPT FURNITURE to rethink WORKSPACES an open OPEN TRAY 40 WORKSTATIONS. Participants are invited to consider lesUSAGES and functionality through the prism of individual and collective RELATIONS within the company, define the axes of well-being at work imagining furniture, configurations, traffic, connections and promotion of space. »
    Voila Voila Simple right?

     

  16.  
    Makeup72481 

    THIS DRAWING MAKES ME THINK OF A CARTON OF Lehanneur.

     

  17.  
    Erica12010 

    WHEN TO A CERTAIN VISION DESIGN, WE CAN MAKE THE MOU.

     

  18.  
    cheslop1 

    I would start with DEFINE THE FRAMEWORK OF CONCEPT.

     

  19.  
    Barnie Solt 

    AND I SAY WITHOUT ZONERAIS WEIL AM RHEIN AND SILICON VALLEY.

     

  20.  
    Lessie Bodin 

    RELAXATION AREA OFFICE.

     

  21.  
    bri5021 

    TRANSITION ZONE.

     

  22.  
    roxysvg46 

    The ALLERS RETURNS AND BETWEEN HIERARCHICAL LEVELS.

     

  23.  
    Theo Rhoades 

    THAT’S ALL FOLKS.

     

  24.  
    Ravenbaby13 

    office_gym_tai_chi_chair_yuan_yuan_exercises.

     

  25.  
    lmc88 

    OFFICE IS A PLAYGROUND AND I FOR ADULTS formates.
    A JE TO PUTMAN, GRANDE DAME.
    A JE TO WILMOTTE? MR BIG.
    A JE TO Lehanneur BEAU SPEAKER.

     

  26.  
    DieselsGirl 

    A JE TO Lehanneur SPEAKER NICE, NICE KID PLAYING WITH BRIC A BRAC OF THING AND MACHINE….
    «I am wary of the hand and its formal recipes, its reflexes. I hardly draws, is the mental stage that matters, I have the concept of the object, «the thing» in mind. I’m just doing some sketches to communicate to my assistants, who pass immediately in 3D. [….] Before, we chose a curve on the parrot, now we denote images, items that are appropriated for details. All forms exist, there is not a redraw but the designer and appropriate them to shape the concept imagine. Andrea, I had in mind the idea of ​​a plant that is like the brain of the system, a grid, which in the collective unconscious evokes the flow of air, «a diffuser Ventoline®» …. «Mathieu Lehanneur.

     

  27.  
    Bodie Trueblood 

    My interview…

     

  28.  
    Iwuvmy3babies 

    I’M GOING TO BED OF TED.
    I read a very interesting interview of Lehanneur. He has no textual mastery or mental plasticity Starck but often unintentionally gives the keys to its design vision, its projects, its persona and individuation A star or starifie designer sells first of notoriety but in the middle of things, there is always stuff to be a Well I spend at TED BED I pass the professional confirms valid, recognized, known to Amateur eclaire becomes little by little professional successive validations I was one day in a podcast on a TV tray pass design decorative computer blogger Manuel Jean Louis Frechin, Board Director innovation and foresight The Ensci / Workshops who hate deco design.
    I often bluffing reading topics BED. Rarely is the deco design, but in matters of reflection, question and exclamation.
    Some wikipediatre:
    The word comes from the Latin persona (the personare verb per-sonare: talking through) and he pointed to the mask worn by theater actors. This mask was to function both to give the actor has the appearance of the character he was interpreting, but also to allow a voice to carry far enough to be audible spectators.
    In his analytical psychology, Carl Gustav Jung took over this word to designate the part of the personality that organizes the individual’s relationship to society, the way in which everyone has more or less run in a socially known predefined character to take his social role. The ego can easily identify with the persona, leading the individual to take to the one he is in the eyes of others and not know who he actually is. In this case, the persona Jung is close to the concept of false self Donald W. Winnicott. We must therefore understand the persona as a «social mask», an image list, established by me, which may end up usurping the identity of the actual individual. Alfred de Musset somewhat explores this in Lorenzaccio.

     

  29.  
    breneusmama418 

    JURY NO REPORTER.
    Whenever a young designer wonder should I participate in a contest. I look in detail the cast of the jury.
    I realize that this is probably the first jury in France without design journalist Innovation?
    As I was teacher at CELSA without being Sorbonnard, high school teacher without having high school, designer without having studied the design of school, marketer without having studied the market in School of, j ‘I followed with interest the battles between encartes journalists and blogs entoilés.
    I feel that the journalists but also architects, designers, consultants whatever the bloggers + Design PhD student leave the boat design blog, deco design for new adventures and fronts.
    First Celsa Center for Studies Literary and Applied Science in the Faculty of Arts of Paris and School for Advanced Studies in Science of Information and Communications, attached to the Paris-Sorbonne University. When I read «It keeps its name, strong and proud of its reputation of its brand» This laugh the marketer and brandeur.)

     

  30.  
    anne2353 

    THE GREY MATTER FOR THE OFFICE?

     

  31.  
    Truman Maher 

    LOOK OUT ABOUT BEY? LOOK OUT PROOF ABOUT?
    LOOK OUT ABOUT Jungerius? LOOK OUT ABOUT VITRA?
    Which is irrelevant in France is also a topic Office design sector is the most castrating sector that exists in the furniture design. Too many constraints. It’s like a seat. Lehanneur had said there was too much siege why draw a seat again. It’s not at the foot of the wall notoriety as seen mason, he too straight arms too much left arms.
    That’s when he draws a thingy on a corner table which will be a best seller, a long seller, an icon, a clipboard.

     

  32.  
    Lenna Condry 

    «I hardly draws, is the mental stage that matters, I have the concept of the object,» the thing «in mind. I’m just doing some sketches to communicate to my assistants, who pass immediately in 3D. »
    Mathieu Lehanneur.

     

  33.  
    Joya Crabb 

    VOILA DOCTOR MATHIEU THE PATH OF DAMASCUS STARTS HERE.
    «In the course of a designer there are mandatory passages, a sort of road to Damascus. First, a vase, a lamp, a table and a chair, finally, I’m on the right track…. «Benjamin Graindorge.

     

  34.  
    irynausa 

    «Finding the road to Damascus» = Converting a doctrine (after having fought) .
    After being ante-Starck, designer furniture without or almost without a designer chair sutout industralisee and stackable, without validation Milanese designer, a designer without bestseller juggling with valid prototypes by Moma NYC and Ted SF (this is the doctrine of Jean Louis Frechin, director of design No., Board Director of innovation and foresight ENSCI / Les Ateliers) So here Lehanneur at the foot of an office chair Majenius like Yves Behart not the singer of «the first who tells the truth» but the Director of Fuseproject SF.

     

  35.  
    Sigourney Hesketh 

    Yves Behar_ playing the harp. I know the music.

     

  36.  
    Mechelle Tappe 

    The reality of the seat is much less glamorous.

     

  37.  
    Kayden Alderton 

    Rethinking the office a proposal by Nendo.

    Brackets High Back Sofa System by Nendo.

     

  38.  
    mms80 

    it would scare the boss would be ici…Il Nendo wall.

     

  39.  
    iamdiana 

    Some pictures of the event to consult on FB.

     

  40.  
    Komdoug 

    GO GREEN !!!!!
    Team 2 Zoe Tracq Ivan Brelivet and Pauline Audinet has geniale idea which involves making the drawers of the former students of the school.
    «Have you ever thought up the slopes to exploit?
    A pupil of the Boulle work last year for his diploma project on the spaces to the office and offers furniture that forces people to stretch, such as very high hangers for example. The idea to put the body in the heart of our work, to reflect on the actions we are interested to work. «.
    When I have a complex topic (necessarily), I’m in the drawers of the great school of design, ensci, the factory of ideas de design, a concept that will explain.
    I also go in the drawers of VIA and. IFM and many other gadgets, Parisian stuff that should be put in the OPEN SPACE PLACE OF HIGH DESIGN near AUSTERLITZ which for the moment is WATERLOO.
    Like the London design center is near Waterloo Station.

     

  41.  
    Kihluna 

    I looove the stretching idea but no coat rack that.

     

  42.  
    Bambi Fleet 

    STRETCHING THE DESIGN OF IDEAS, j’adooore.
    Stretching Tai Chi Yuan Yuan chair of the School of Design with stretching Reims Remi Bouhaniche, BTS design products has to Marseille Fine Arts in Saint Etienne to competition D3 Contest Fair IMM Cologne … The scope of work is more in string Lehanneur that the work of the song which is more in that of Philippe Nigro, former Boulle although Michelle de Lucchi, its patron saint, the maestro found it places too much emphasis on ideas yet it has not been «Ensci» factory of ideas » I did a quick tour of France of ideas of stretching I have not yet addressed the design empathy. So empathetic open space for Frances here is an idea.

     

  43.  
    Jed Quirke 

    In Paris next Thursday to the awards.

     

  44.  
    Sandy Farwell 

    I find your comments relevant as well as the competition jury and some people I know personally, by contrast, the hour of crisis, is it not the time to review our copy, knowing that the land is a real wound to a company and that «work at home» is will develop more and more in the years to come?
    Could we imagine a working cabinet «domestic» which would possess several functions, work, deco, or domestic?

     

  45.  
    Joye Bonner 

    Indeed Mathieu, habits will certainly change, but definitely take more time than you might think.
    the issue here was different, but the idea is good, a multi-function furniture to optimize the home-office… about next year.

     

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