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Inner Fashion design in the service mode

Inner Fashion design in the service mode

Thomas Vailly and Laura Lynn, Young designers french respectively, DUTCH belonging to the group C-Fabriek we present the project Inner Fashion, design serving the mode to create a dress in 20 minutes.

A production line arranged with steps, or creation cycle goes tissue storage sales portico. Each dress is constituted of two layers of fabric assemblies that have just been working with the help of glue and a rubber ball.

Inner Fashion design in the service mode

On the principle of embroidery, each dot of glue modifies the behavior of the upper fabric, creating folds and curves the ball once removed.

Inner Fashion design in the service mode
Inner Fashion design in the service mode
Inner Fashion design in the service mode
Inner-Fashion-the-design-to-serve-de-la-mode-milan-draft-mode-blog-espritdesign-12

Present project rating of Milan Milan Design Week 2013.

Inner Fashion design in the service mode
Inner Fashion design in the service mode
Inner Fashion design in the service mode
Inner Fashion design in the service mode
Inner Fashion design in the service mode
Inner Fashion design in the service mode
Inner Fashion design in the service mode

More information about the project: C-fabriek Vailly, Lauralynnjansen

via

By Blog Esprit Design

Category: design


Comments: 3

  1.  
    Teo Inson 

    DESIGN FOR THE WELL A EINDHOVEN?
    Rather quickly I saw a series of healthy. I go blah.
    A little slower, I saw one wearing a suite with a rotating mirror good idea;
    Even slower, I just figured that Eindhoven (700,000 inhabitants) is the capital of the new creation (the former being necessarily as Paris Paris) whose Cochet (Etienne Cochet) has just been veers.
    DESIGN FOR THE WELL A PARIS?
    According to Anne Marie Next Liberation of Fevre «» Alive! «It is on this theme that took House purpose of January, Villepinte, rather devoted to furniture. Ironically, there has disappeared, Etienne Cochet. For seventeen years he was the director of this omnipresent lounge and president of the organizing company (Safi). He was dismissed in November by the shareholders of Reed Expositions France group. This strategist, both major unifying salons (director until the last days of Paris capital of creation), was also an eater: he swallows believed the old furniture show the Porte de Versailles. Here Brocade replaces Philippe, 49, responsible for Batimat Ideobain and lounges. And the living will! »
    DESIGN FOR THE WELL MILAN?
    In Milan, also turns to change course?
    According to Marcus Fairs of Dezeen.

     

  2.  
    Cheyannelex 

    NOT PULL EASY COVER WITH BEARING.
    I ADVISE THEM FEERNANDO BRIZIO FOR CARRYING COLOR.

     

  3.  
    Elia Clack 

    FRANCE THE WORK MUCH IN COMMITTEE SEMINAR, CONFERENCE, PARIS STUDY ON THE GRAND LYON DESIGN FASHION AND CREATION THE PROBLEM IS THAT THIS PROJECT IS NOT IN.
    Paris is calling itself the capital of the creation of the fashion, and Milan Design Capital (the furniture fair and lighting just ended). Not so simple.
    In a synthesis of the working group GREATER LYON we read.
    «The terms» fashion «and» design «generators are many confusions. These are related to the fact that fashion, such as design, refers to both the sectors of activity, values.
    society and cross company functions.
    As a sector of activity, the designated mode, in everyday language, the activities relating to the adornment of the person, clothing, leather goods, jewelry, etc. ; and design refers to the manufacture of utilitarian objects aestheticized: tables, sofas, etc. The evocations of Paris, capital of fashion and Milan, design capital refers primarily to these sectors.
    of activity. As a value or transverse mechanism, the two terms are well different meaning.
    The term refers to four fashion related concepts that form a whole: the need for singularity (which refers to the identity, autonomy and has a completion.
    staff). This need is particularly acute singularity in our individualistic democratic societies; the phenomenon of the collective mass craze; the mechanism of constant renewal; a set of values: the primacy accorded to ephemeral, to seem, to the emotion, the.
    desire, to excess, the beautiful, pleasure, has the image, the symbolic.
    As for the design, it aims to combine optimally shape, the materials and technology to fulfill a function, and increasingly to reply to of emotion and distinction needs, reviving its roots of decorative arts. »

     

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