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Coat Stand by Jordi Lopez Aguilo for Kutarq

Coat Stand by Jordi Lopez Aguilo for Kutarq

The Spanish studio Kutarq by its designer intermediate Jordi Lopez Aguilo we present the project Coat Stand for clothing brand Black Swam.

Dedicated to the establishment Layouts store between scenography, coat rack and Garment melant wood and concrete.

» After several design options, we ended up with a modular system made by connected sticks and cone shaped weights. Brass, solid oak, pine wood board and ceramic materials are the hand They match together in harmony.»

Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq

A system composed of modular Elements in solid oak, connected by brass Elements, based on a concrete stand (ceramic and concrete), All of which can deploy in order to optimize the presentation surface.

» Three different craftsmen for the manufacture called Expired Where: lathe for the ceramist cone weights, wood lathe carpenter for the welding sticks and craftsman for the brass connectors.»

Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq
Coat Stand by Jordi Lopez Aguilo for Kutarq

? So the designers see young designers can find echoes in their work in the heart of shops, a gait enhancement expertise enhances the commercial orientation, a nice experience to take over

Coat Stand by Jordi Lopez Aguilo for Kutarq

More information about the studio: Kutarq (see Articles)

By Blog Esprit Design

Category: design


Comments: 8

  1.  
    Lisa Oldham 

    Degourc Napoleoni.
    We are right in the eco system of design.
    The residential market, the domestic market (home) is not the only walking design. C’est obviously best known as the most present in paper journals and blogs.
    Florent has more competence than me on the progress of «contracts» and the market segment of «retail» (roughly deco design in key trade shop Hand detail)
    As was my habit, the easier will call me design the teacher, I’ll get in ?? the immediacy of the image, in the silhoeutte objects referents not declared. Objects like people, the subjects (in all senses) arise from other people and other things.
    In the history of design sold in stores, the Castiglioni collection served for Italian history editor Zanotta in the 80s of the last century.
    It’s not really for the residential market, the domestic market except for some products a side table but for the progress of collectivites.
    In my short-term memory of the gallery design collection of totem poles by Piergil Fourquié for Gosserez gallery. Passing from industrial design to craft gallery design, materials change is happening plastic + metal + wood concrete.

     

  2.  
    Romana Fenney 

    work for stores, shop, shops or seems to be a good springboard for young designers.

     

  3.  
    Douglas Sproston 

    At the same time, it’s Kutarq jordi lopez aguilo (phew) with its modular nature, the use of materials but it is contemporary of many other projects that use the same «recipe» of craft design.

     

  4.  
    Thor Meah 

    — Blog Esprit Design.
    Designus labyrinthus.
    Yes and no. It is often told to eat as Florent another sujet. Il there aa drink and eat because it is not a homogeneous market.
    If we talk about as a marketer segment or as the sociologist, psychologist, architecture, designer of typology Voilà what happens roughly.
    The young designer has no access to flagship stores, the flagshops major brands or franchises at once for reasons of notoriety but also the composition of their toolbox.
    The power of Italian design was more locks than the French market.
    There was a lock works of Italian design from Milan and locking the market of the Milan edition of design and contract by maestros. Fabio Novembre me that was not Milan has managed to get around the shops in Rome by example but with a much more dramatic approach kutarq who made a lot of press and therefore quotes and reputations which drives demand publishers.

     

  5.  
    VELnABI 

    I see that this table concept often returns…

     

  6.  
    Asad Rupp 

    In general furniture publishers give priority decorators hotel designers (it’s simple to understand) designers decorators shops.
    Gric who made a conical concrete base for sachaise for Magis is neither deco shop or deco hotel. . like what.
    I would have put the One Grcic but that’s not really the cup british more arts and craft.

     

  7.  
    Jevan Airington 

    Expects business cards.
    Many designers can have this in their sketchbook. I draw me conceptologiste (word I invented: logical if not the science of the concept of Creation) has Sottsass from a lamp that has the same structure and more or less the same silhouette ‘spacial thing? It’s «very special» «ca ca sold» as my mother would say who thinks I’m an industrial designer.
    I do not even know if this piece concept is actually edited. Another prototype was presented at the Fair of Valencia furniture by Moodd in 2012 in a sock without free version too white black contrast, light wood and white lacquer wood more integrable in the domestic space. The aesthetic handle a sweeping and implementation of difficulty with only two empty tray is a triple brake the purchase I would have made an entrance door furniture coats with a reduced shelf plateau low plateau or at the customer’s option, but with the same product.

     

  8.  
    Boomersoonerbb 

    Babin (lighting designer) BED (illuminating blogger)
    By design, it is often necessary to compete with Italian masters: lol: .
    The ideas, concepts, structures, figures, details steal a studio to another, a typology other, .
    In 1957, for Arredoluce manufacturer Ettore Sottsass had released it from his head and / or its studio.

     

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